Subjective Chaos Kind of Award - The Winners!

So, for the last few months our merry band of book bloggers have been whittling down our nominations carefully – the last month saw a scramble to read the books we didn’t manage in the first round and then a final debate.  It was fun and last Saturday in the bar at Nineworlds we announced the winners of our luxurious awards

THE WINNERS

Best Fantasy – Under The Pendulum Sun by Jeannette Ng

A tough section for the judges and we often were surprised that some choices exceeded our expectations but this Gothic tale of English Missionaries trying to convert the Fae was the winner by some distance. It’s haunting, surprising, unnerving and eerie.  It’s unusual idea and approach really stood out when people tend to focus on the epic fantasies.  A worthy winner and if you’ve not yet tried this you need to catch up.

We also got our first ever attendee to take their award in person!

Best Science Fiction – An Unkindness of Ghosts by Rivers Solomon

A tale where a generational spaceship has turned into a hugely racist society with secrets being kept from people captured our attention.  It explores the consequences of prejudice and hatred and how that legacy affects every generation that follows.  Not an easy read but one that you’ll remember afterwards especially with its lead character who can be frustrating and amazing in equal measure.  I’m very much looking forward to reading more of Solomon’s work in the future.

Best Novella – The Murders of Molly Southbourne by Tade Thompson

This was a superb and very painful category to read but then decide on a winner. The tale of a young woman who every time she bleeds creates a clone who wants to kill her takes a simple idea and just creates an entire life for Molly. The brutal mental and physical impacts of these attacks and question of identity make this a horror tale that doesn’t just go for nasty surprises but creeps under the skin. I’m intrigued what lies in the recently announced sequel.

Best Blurred Boundary – The Ninth Rain by Jen Williams

A category where we had a lot of latitude to define what boundaries were being blurred. This new trilogy from Williams gives us an epic fantasy landscape that is under attack from invaders from another world.  Magic and technology collide into a great mix. Its got verve, humour and in Vintage who is our middle-aged academic who wields a crossbow heroine one of the best new characters in SF. A novel that beats the Copper Cat Trilogy really set a high bar

Best Series – The Broken Earth by N K Jemisin

While the nominations were very good there was a unanimous vote for this series.  Personally, I think this is the best fantasy trilogy this decade – unique world building; brilliant characters; questions on morality, prejudice and resistance that are not easily answered, and the writing makes the story soar.  This is a series if you’ve not done it yet for it.

And that’s it!! As reading tends to be an insular experience having a group to discuss it was really entertaining and as all have differing takes it was great to have both new books recommended and be persuaded why some books needed more praise.  Hopefully we can do this again next year!

Next steps for me though after a recharge after Nineworlds and some life stuff is a big catch up on a review backlog the next few weeks and I think its time for version 2 of the blog to finally take shape.

Nineworlds 2018 - Part 2

Part 1.5!!

Yes, I missed a Friday panel off my notes yesterday! Doh!!

Problematic Aspects of Historical Fiction: What Do We Do About It? (Douglas Kohler, Olwen Lachowicz, Jeanette Ng, Ginger Lee Thomason)

Be it Margaret Cavendish or Mary Shelley who started modern SF Genre it is often startling to realise how few women are seen in the older ‘canon’ that so many in the field like to highlight. This panel examined the way we now interpret the classics. Dracula gets praised for being the first vampire story, but it raises questions of xenophobia and the treatment of women – the happily married quiet woman gets to live. With Lovecraft the panel highlighted his very blatant racism that used the primal fear of the other to promote his own views which was highlighted is still used today by right wing groups against immigrants. A disturbing proposal was that such groups now used the tools of horror stories to promote their racism to make their message more effective.

The panel challenged the idea that to fully understand a genre we must always go back to it. We are so many years now past Lovecraft that the idea of cosmic horror is so prevalent a new reader doesn’t need to go to go back to read him to understand it. It was clearly made that the onus is not purely on marginalised writers to take the lead in showing a better easy – that should be on all.  A good point was made by Jeannette Ng on gatekeeping that certain people set the template for the stories that got seen and read the most widely a powerful editor like Joseph Campbell who even friends called a crypto fascist made editorial decisions that set the template for future stories that would be submitted to be read in his magazines. Rather than see the past as a giant monolith if we can better understand that certain people and their biases/prejudices influences the shape of things then it’s easier to fight against their narratives. In a moment of joy as the panel summed up the need for us to move on to a better inclusive future the rather loud Disney Singalong next door went into Let It Go – this felt very very appropriate.

 

Part 2!!

So Last Day of a con is like the last bit of the marathon – you’re running on lack of sleep, vegetables and if you’re an introvert like me an unusual amount of people engagement that can mean you’re tired out so Day 3 of the convention is usually quite quieter and you start to notice as they day carries on people start to leave – it can be like Return of the King by the end of the day waving people off into the underground and then watch as the hotel moves from Geek Mode to the corporate convention starting the Monday.

Having last year not managing my spoons and work life balance I remembered this time not to do it all and managed well across the day

Sunday!!

Fiction About Fiction (Tanya Brown, Aliette de Bodard, Roz Kaverney, Jeanette Ng, Claire Rousseau)

This story talked about how the novels of the past influenced the novels of the future. Really interesting debates flowed, and topics ranged from how certain aspects of western culture can appear strange to those born outside of the UK to how the love of period 19th century dramas often focused on technical innovation but overlooked the rampant colonialism and appalling treatment of people of colour. There is a danger of romanticism that current writers sometimes need to tackle to remind us the past is not a fondly loved time for many people who did not get the privileges of those wealthy or in charge. The panel also noted how the structure of the 19th century novel still lives to an extent today but perhaps we now see less focus on fleshing out secondary characters in large casts and meandering narratives but increasingly when writers mine the past using ill served secondary characters can now be an opportunity to give a voice to highlight their inequalities and provide a much-needed counterbalance.

Folklore and Liking It Weird (Malcolm Devlin, Verity Holloway, David Southall)

There appears to finally be a revival in folklore which was last seen in the 70’s when people got very interested in occult stories. This panel went into a great discussion about its roots and uses. My sense from what I heard is that folklore is a very key part of our society – it connects the urban population to their rural roots; it increasingly has its urban stories such as the albino pigs on the London Underground. Its very much focused on a sense of place or potentially isolation. That could be very simple such as the monsters in the lake who will eat the unwary kids to a fascinating example of the Luddites building their movement around a potentially mythical character who by 1810 was rumoured to live in Sherwood Forest (some stories will always be reinvested).

A great take on it was that while some see Folklore as cosy horror if you read the real thing you could argue it’s a reaction against the past. Rather than a beautiful idyll it’s a place of intolerance that demands blood and sacrifice – perhaps now Folklore should be a way to warn people from returning to a time that never actually existed. A thoughtful discussion

The Future of Nineworlds

Nineworlds like to end with an update on how the weekend went and what’s next. I suspect this was originally going to end on a very uncertain note however I think moved into a greater and worrying discussion about some of the convention’s failings and asks some hard questions about what is to come.

The main and last original founder of the core Kickstarter group announced that this would be his last in charge and he was seeking new ownership in some new form. Nineworlds very nearly went under in 2016 having made some decisions that probably were premature in terms of ideas such as an expo hall. Over the last few years those losses have been near eliminated but its also clear that a UK con even on this scale won’t be a substantial profit-making entity for a long time if at all. New owners with new ideas were being sought and this raised the idea that perhaps moving to a formal non-profit/charity status may help secure other funding/support that it needs. At this point various members of the existing Nineworlds team got up in unison to make a surprise announcement that they were trying to become the new team. To give them credit I think they were going for rather than a convention that may not be here next year they were trying to say enough people familiar with running the con were trying to be involved in the future.

At this point when it became time for audience feedback a member of the audience highlighted that the group on stage were overwhelmingly white and that several longstanding issues with people of colour had once again been raised and not really answered.  I think the following blog gives a much better idea of what a) was going on int the lead through to this event and b) how the Nineworlds team responded to this feedback appallingly

https://blackfemgeekery.wordpress.com/2018/08/12/white-worlds

Another blog that I think highlights some other adjacent issues in this space as to how sensitive content was being managed that I would also recommend

https://medium.com/@rammi/a-safe-space-only-when-its-convenient-for-you-a-nine-worlds-cautionary-tale-23b026a40b58

 

The tone of the discussions I witnessed and have heard about suggests that something has gone now seriously wrong within the Nineworlds organisation and whoever takes over needs to fix this very soon. It is a place that has done good work for many groups, but it also clearly is making some people feel unwanted and unsafe; that I saw someone senior in the organisation try to argue this point was No Platforming made very little sense. I can now totally understand the reactions people of colour and other minorities may have to a purely law enforcement panel based on the explanations above (I’m going to confirm I know two of the panel from other fandoms and they are lovely but that is not the issue at stake). Neither does bolting people onto a controversial panel serve any purpose – I do not come to Nineworlds but vigorous artificial debates I come for people to have discussions on subjects they all care about. I don’t think the content management in place at Nineworlds was clued up on those sensitivities and they themselves admitted this is a weakness that has been going on for quite some time. If there are people feeling Nineworlds is unsafe then this convention needs to now work on making the changes and getting the right people involved MUCH earlier in the process.  There are socio-economic reasons why many from minorities can ill afford the time to contribute to a very large con – I think Nineworlds may need to consider if that if they cannot find that help voluntarily then it may need to make payment for that assistance and that may be part of running such a convention cost congoers need to continue towards in the ticket price - and as they are potentially seeking a non-profit charity status then this may reap many benefits in the long run.

Having thought about these discussions and several panels that highlighted the racism within the genre and lack of representation SF needs to do better.  I don’t think the representation of people of colour in conventions such as this has been great and that now is an area to focus on and should be clearly and formally built into the ethos and governance structure of what the next version of Nineworlds becomes. It is in some ways reassuring that many of the old team want to be involved but it now needs to be wider and better on these issues very soon.

UPDATED

later on 19/8 I found this blog post from one of the Nineworlds team

http://a-simple-tailor.tumblr.com/post/177163220522/nine-worlds

To put it bluntly until I read this I'd assumed Nineworlds organisers had been clumsily insensitive but good hearted but this is ongoing wilful neglect.  If the organisers have been aware of this since 2016; promised to do better and yet manage to forget this for the last two years then that organisation is failing.  A full apology to those impacted by these events is needed and Nineworlds is going to have to work very hard to show that it is a new organisation willing to face up to its weaknesses. A con that preaches inclusivity and diversity needs to actually deliver on it.

Other thoughts

Taking that issue to one side I did have a few other thoughts on the convention

Cons

-          I think this year was the worst for communication to the public about what was going on in the run-up to the convention.  The schedule and guest list were pretty much released a very short while before the convention. A few competing events such as on LARPs and children were run against each other in relatively small tracks. If I add in the above issues it does feel like a convention team trying to do an awful lot of stuff at the last minute with scant resources/time to think rationally. That it ran so smoothly on the day itself is important to stress but it could easily had much more gone wrong if not for the work on the teams on the ground often working a lot of hours.  I appreciate this con is run on a low budget but especially as ticket sales start early a bit more dialogue about the content would be appreciated.  It may also have allowed the team to shout out where additional support on some matters could be needed.

-          I heard that feedback won’t be gathered this year as that is more suitable to be on what the new team want to offer.  I feel this is disappointing as when it first began Nineworlds was refreshingly honest about what works and does not. In recent years that seems to be less frequent or communicated and for a fandom focused convention and again with the above issues that feels like a barrier to getting problems recognised and fixed.

-          The Books panels I went to and the guests selected were all great, but I did feel this year was the smallest Books track in all the years I’ve attended. For a major event without many UK competitors at the time of year it was weirdly quiet on the usual publishers and guests.  I don’t know if that was a deliberate decision to freshen the wider content up, but it didn’t feel that way.  The Big Green Bookshop had much less books than I’ve seen for sale at any Nineworlds but shout outs to Rebellion and Unsung for some lovely stalls.

 

Pros

-          The Novotel staff were once again very friendly and approachable. The facilities were very good.  I could completely understand if the con finally leaves London (especially on cost grounds) but it highlights the facilities needed must be large, accessible and a safe environment

-          The Access team have continued to provide a great environment and work so hard to make the con work.  They deserve a lot of credit

-          Finally, the congoers themselves. It was lovely to see people I know from many places; some I met for the first time in actual reality and some new people for the first time.  There is a lot be said for sitting with friend and working out the Hogwarts house for the MCU; the plot of weird Hammer Horrors and oh yes BOOKS. Being silly is great and knowing your friends will conspire to create French Revolution should you ever get too big for your boots is life-affirming.  I know the BEST people.

 

So overall Nineworlds is in an interesting state. The con was good but clearly not for everyone attending and therefore must change.  Those changes I think will embolden the original aim of Nineworlds as a place that people can come together and as of, yet I’ve not heard of any alternatives that match its approach in the UK just yet. Next year I am seriously looking at the adjacent Dublin Worldcon so can’t yet confirm if I can make all of Nineworlds next year, but I would like to at least manage one day. I come back from each one physically very very tired but also refreshed as to how great geeks are and get ideas for lots of other things. I want future conventions where everyone can do that the same way and as a lot of the panels highlighted we get to create the set-up for the future and make it fairer for everyone and if that means we stop doing certain traditional things that UK cons do then so be it.

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Nineworlds - Part 1 (10-11th August Novotel Hammersmith, London)

So, I’m now a Nineworlds veteran having been there at all six to date. Having been to a reallllly bad convention weekend where I felt a) content had been scribbled out of a tv guide and b) rather unsafe at night when the drink started to flow one of my best friends suggested we check out Nineworlds that a kickstarter in 2012 started with the idea of being the British version of Dragoncon. Its grown a lot and while it is not Dragoncon it has its own ethos. It ended on a note that it’s next incarnation is now due and what form that takes will be quite important as to how this con can thrive.  I had a very good time, but I think some of the concerns and issues raised in the past have come to ahead so new challenges await (more of which to come in part 2)

But for starters lets talk about what I did while there

Thursday – I caught up with friends old and new.  I did not do the quiz and this time the people I usually meet with got first place….

Friday!!

The Way You Make Me Feel (Angela Cleland, Roz Kavernay, Zoe Sumra, Sue Tingey)

This panel examined how do those evil authors make us cry/scream/laugh and cheer. It was fascinating to hear that some authors have an emotional plot to run alongside their narrative ones – the key points where you will FEEL that required emotion. It didn’t come across as purely a technical exercise – some of the panel had been surprised by what a character ended up doing!  They admitted to not feeling too much shame about what they do to their characters or their readers, but the writing of a tragic ending might still hurt them as much as it hurts us.  

Putting the Punk into Cyberpunk – Gavia Baker-Whitelaw, Harriet H, Jade Leamcharaskul, Simon Potthast, Jeremy Szal, Maki Yamazaki)

Since the term got coined in the 80’s and William Gibson defined it there has been a suspicion that the genre is now finished and more an aesthetic. Is there a future in the that type of future?  The panel made a valid point that it predicted an internet ruled by soulless ultra-capitalist corporations, so it certainly had a point. The panel did a good job of selling it as a story of the outsider and rebellion.  Its influence can run from architecture to VR technology, but it also raises questions of transhumanism.  An interesting discussion but I didn’t feel there had been many recent examples Altered Carbon was mentioned but not very positively! But this does seem to be a good time particularly on the social media front for a story where rebellion takes place and that is an area I’ll be watching SF with interest.

Know Your Enemy (Mike Brooks, Adrian Tchaikovsky, Jeannette Ng, Anna Stephens)

This panel examined the concept of the villain. Are they there purely as a device of opposition or are they proclaiming something lost (which veers towards the antihero). The panel all seemed to agree that the best villains are those with a cause/belief in their plan. There is a temptation in fiction to other the villain through disability, mental health or sexuality when as 2018 shows most tend towards white, rich and very very privileged. The writers did raise an unusual point that in a story its all about how your frame the narrative – with two fairly equal sides battling over resources it is rare one side will not lose out in the narrative and become the villain.

Knighmare Live – Finally!!

For its second appearance at Nineworlds there was a much bigger room and so I finally got into see this event. This clearly marks me as a child of the 80’s watching a dungeon kill children, but this version is a charming mix of reverence for the actual concept and in jokes but also doing it on a much lower budget. It was very funny through the small cast but also watching a grown adult not remember their left and right so that they walked through the wall of the dungeon was hilarious

Saturday!

Alchemy and Chemistry in SF/Fantasy (Penny Ellis)

I may have stayed up too late for this session to concentrate.  Half an examination of the history of chemistry and alchemy and then an examination of some famous examples of plotonium.  I felt it would have probably been better split into two different talks. The first half was for me the more interesting as I suspect the reason writers make up the rest is to always serve the story and not respect the science

Who is Wakanda? Representation in Black Panther (Tara Brown, Zarich Catlin-Hallet, Helen Gould, Jade Leamcharaskul, Russell A Smith)

This was one of my highlights across the weekend. Five panellists talking about their reactions and interpretations of the recent Marvel Movie. I really got a new appreciation for how much thought went into this film from discussions over the music and fashion choices for even minor characters that went into illustrating many cultures and historical traditions but also with a lot of modernity. The discussion raised from was Wakanda right to step into the wider world to how Killmonger was one of the most complex villains in film combining attitudes with the feeling of the pain of diaspora with a very toxic sense of rascality. It was a really good flowing intelligent discussion that I could have happily watched another hour and made me want to watch the film again once home to watch the bits I hadn’t noticed before.

It was also a really refreshing panel as I got to a watch a panel of mainly people of colour get to discuss and analyse a piece of culture and their reactions to it. Watching people talk about their excitement in the run-up to the film; their reactions watching and then digesting the film and seeing people like them on screen and referencing cultures they know was a reminder why ensuring we don’t just have straight white males in every bit of media is important. It also was a strong reminder that such panels where rather than purely the issue of diversity itself but instead we see a meaty discussion of a facet of the genre can be far more rewarding.  A great panel is one I think about weeks later…this feels like one of them

Top of the SFF Cops – (SJ Groenewegen, Laura Manuel, Caroline Mersey)

Three panellists with different connections to law enforcement raised who they felt were the best type of cops. An interesting selection came down to Dana Scully versus Sam Vimes with Vimes winning by a landslide. It was interesting to hear the qualities they looked for, but I think perhaps a wider group of panellists may have helped broaden a discussion.

Let the Past Die: Sacrificing Sacred Cows in Star Wars The Last Jedi (Gavia Baker-Whitelaw, Avery Delany, Michael Duxbury, Jeannette Ng, Gabriel Petersen)

I’ll lay my cards out now I loved the Last Jedi and thought it gave a long-needed kick to the series challenging the archetypes that were there before, so I was intrigued by how the panel would discuss it and I was not disappointed! I liked the idea that Kylo Ren and his Darth Vader memorabilia could easily be read as a commentary on how the films have perhaps become too focused on toys and traditions spreading from those toys while the film’s best characters were learning sometimes such symbols need to be destroyed to allow for new growth while Kylo is still locked into his past. There is a lot to be said for showing that those who are emotionally invested in a cause like the Rebellion are hard to beat but several did wonder if in the long run Disney would still want to return to various interpretations because that is what makes the money. The key message I took away though was that a fandom that wants to thrive needs to eb prepared to let new people play with it and create a more diverse longer life for it. Another panel that will stay with me.

How to Keep Making Things When the World is on Fire (Alix Penn, Laurie Penny, Claire Rousseau)

One of the nice things about Nineworlds it you have so much choice you can have moments when you just decide to go to a panel on the spur of a moment and this one turned out to be useful to me personally. How to deal with the desire to make any content when the world is on fire be that a reaction to the rise of Trump and fascists or more localised issues such as health or other competing demands. A key message is that being impacted by such things is not something to feel guilty about and self-care is both important for yourself and to assist those people who may then have to spend time reminding you that sleep, and healthy food is important.  As someone who struggles with this and feels guilty when the other sides of my life mean I can’t review and blog as quickly as I’d like hearing that lots of other people face the same issues and their tips for dealing with these moments I came away with loads of good suggestions (which several have asked me to capture): -

-          Self-care is not a self-indulgence it’s an act of political warfare that you don’t allow the world to eat you up

-          Give yourself permission to sleep and feed

-          Cut yourself slack

-          If your best friend was doing this to themselves would you be probably be telling them to take better care.  If so why can’t you apply the same lessons to yourself

-          Don’t be overly critical of what we produce for fund and entertainment, so you end up holding back from releasing it into the world – often we do these things because we find them fun so enjoy it

-          Deadlines we set can be help and make us accountable to others. Breaking big tasks into mini deadlines can help us turn up for the work and this is our job

-          What we create can help others cope with the world in small ways

-          Don’t let Capitalism win and always think these activities are without value and so can be unpaid (particularly for those who create material for larger companies’ outlets)

-          Interaction with others helps you share tips and not feel alone

-          After you go through crisis mode you should adapt your work balance accordingly based on the lessons you learnt

-          Don’t be negative on yourself

-          Your work unpaid or not has a value and creative work will have an impact on reality and how people view the world

-          It’s completely ok to just focus on one or two things at a time but also consider what things you are not focusing on

-          Don’t attempt to do your entire To Do list at once – make them achievable goals

-          Stick to your work plan and don’t always be tempted by what mood you are in a regular schedule you have can help a lot.

-          Sometimes doing the work won’t be the fun but remember the sense of achievement you often feel when you finish

-          If you do need to push yourself to your limits to achieve something bear in mind the consequences for future you – the need to sleep and recharge – don’t continually put those things off

-          You may need to lock yourself down from distractions while you work

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The Prey of Gods by Nicky Drayden

Publisher – Harper Voyager

Published – Out Now

Price - £5.99 eBook/£9.99 paper

In South Africa, the future looks promising. Personal robots are making life easier for the working class. The government is harnessing renewable energy to provide infrastructure for the poor. And the bustling coastal town of Port Elizabeth, the economy is booming thanks to the genetic engineering industry which has found a welcome home there. Yes – the days to come are looking very good for South Africans.

That is, if they can survive the present challenges. A new hallucinogenic drug sweeping the country…An emerging AI uprising…And an ancient demigoddess hellbent on regaining her former status by preying on the blood and sweat (but mainly blood) of every human she encounters. It’s up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there’s a future left to worry about.

Mash-ups have given us great things generally. Lightsabres, Ham & Pineapple Pizza and more seriously in fiction I’m increasingly seeing writers blurring the boundaries of science and technology. In recent years I’ve enjoyed Charlie Jane Ander’s All the Birds in the Sky; N K Jemisin’s Broken Earth trilogy and Jen William’s Willowing Flame series. How Magic works with Technology feels right for the 21st century as both these subgenres are read in equal measure by readers. In this story Nicky Drayden explodes on the scene with an incredibly vibrant futuristic South Africa where the old and the new collide into a fast and delightful new way.

The plot reminds me a little of the old TV show Heroes (the good season) as we see the characters start to explore their powers and motivations. We first meet Muzi a young teen on the cusp of adulthood – on the one hand balancing his grandfather’s love of the old traditions and his growing feelings for his best friend Elkin. Experimenting with a new drug together as well as making Muzi hallucinate himself as a giant crab also gives him the power to control people and read their darkest secrets. One of the country’s best pop stars also hides her secrets and as well as her troubled family she hides a physical disability that vibrant pop stars aren’t supposed to have but she finds a new way to manage pain after also taking the drug. A nail technician called Sydney finds herself finally with an opportunity to not simply to read the odd mind (and kill the odd unsuspecting male) but to reclaim her old status as one of the most powerful demigods in Africa while a young girl in a  township named Nomvulu is finally given some understanding about her past and her powers which at such an end age means a temper tantrum can be deadly to anyone around her. Finally, Wallace Stoker one of South Africa’s most promising progressive politicians is balancing his mother’s very focused plans for his future as a leader with his equal desire to be a singing sensation but his alter ego could pose a problem…

It’s ambitious watching all these characters work out who they are and what they now want and then crossing paths. Into the mix we have the alpha bots – small personal robots that combine AI with the abilities of an Echo/Alexa interface…and who may have found their own God and desire for freedom. There are engineered monsters brewing in labs and an ancient power that has been there since the dawn of the universe. All levels of society; sexuality and morality are thrown together into a very fluid and engaging me. As well as the fate of the world there is also a theme of having to learn who you are and take ownership of that. Each character gets a chance to choose a different path and their decision informs the plot. For many of the characters it’s an act of responding to their parents as well and can this generation fix the mistakes of the past ones?  Each character even the deadly ones comes across as a solid person you can understand why they’ve gone in this direction.

My only reservation is that towards the end when there is a fantastic set piece with all the characters in the same place that there possibly seems to be just too much for me to follow – one character almost seems lost in the background. I really enjoyed the kitchen sink approach here as the novels really rattles at a fair pace; and I’m more forgiving og this in debuts where the writer is finding their voice but if you are a reader who prefers a more structured plot then this may be a little too loud for you.

But overall this entry into the Subjective Chaos Awards for me was a delight. Full of energy, weirdness and heart I think I shall be eagerly waiting to reader Drayden’s future books with interest and now I must find a ham and pineapple pizza.

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A Glimmer of Silver by Juliet Kemp

I thank the publishers for an advance copy of this novella in exchange for a fair and honest review

Publisher – The Book Smugglers

Published – Out Now

Price - £3.80 eBook

Jennery is floating on xyr back when Ocean speaks for the first time. Just three days away from freedom, all Jennery has ever wanted to do was become a musician – because if you reach sixteen and Ocean hasn’t spoken to you once, then you can pursue a different life instead of becoming a Communicator.

But Ocean speaks to Jennery – only to Jennery. And Ocean is angry. And when Ocean is angry, bad things happen to the humans who have colonised Ocean’s world. Jennery must choose whether to listen or to swim away

When you reach a certain age as a teenager you can feel the weight of the world on you but sixteen-year-old Jennery finds xyr life complicated when just when xe think xe may have escaped having to have a sacred duty in their society xe find the planet has a different view on things. Jennery must learn to grow up fast and xyr preconceptions about adults and the way the world works is about to be seriously challenged.  This sets up a great fast paced science fiction novella with some themes applicable to our own world well worth reminding ourselves about.

Jennery lives on Endeavour a floating human colony on a water-filled world known only as Ocean. There is no land here and our Earth is past the point of no return due to environmental collapse.  The colonists decided to make do over a hundred years ago and have slowly created a way of life and now started to create other colonies. But the water here can burn your skin; one Colony has mysteriously been destroyed.  Early on the Colonists eventually realised that the entire ecosystem of the planet is sentient (but alien). Early into settlement the consciousness (named Ocean) gains the ability to talk to a few humans xe realise the planet is actually alive and agree to live alongside each other but apart.  No fishing, no bathing but allowed to co-exist.  But Jennery going through the standard test to see if xe are a Communicator (very reluctantly) on xer last day gets a message from Ocean.  Someone has started to fish, and Ocean is NOT happy.

Juliet Kemp has a great ability to tell a story like this quickly and organically. It’s a very alien set-up but as a reader I never felt I was getting infodumps.   Instead through Jennery’s voice I gradually understood the way of life on Ocean and the reasons it’s develop that way through a teen’s view and both reader and lead are trying to work out what is going on.  It’s a progressive society not focused on race nor gender but you can still have social issues to address.  It is a science fiction mystery where something as simple as fishing has life threatening consequences for the colonists.  Finding out what is going on is going to mean Jennery accepting responsibility and leaving the safe walls of xer home and braving Oceans waters. 

What I particularly liked about this is that it’s not a story of good and bad characters.  Everyone is complicated – even Ocean. Rather than villains we have competing points of view (trademark Obi-wan Kenobi). Life on Ocean because of the limitations in place is hard – why does it have to be?  Jennery is a reluctant hero and would much prefer hanging around with xer friends and learning to be a musician but lives are at risk…Jennery also realises those in positions of power are not always going to be logical and sometimes you then really need to take a stand to persuade them. The story beautifully combines how it’s important for people to listen to one another rather than just lecture and that humans don’t half tend to see themselves as separate to the planet

This is a great novella that I think conjures up a unique world and situation that at the same time gives the reader a situation that they can easily apply to our own world.  It’s refreshingly less about conflict and more about resolution and I think fans of such SF stories will really enjoy this a lot. I will look out for more of Kemp’s work in the future!

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The Bear and The Nightingale by Katherine Arden

Publisher - Del Ray

Price - £8.99 paperback

Published - Out Now

A young woman’s family is threatened by forces both real and fantastical in this debut novel inspired by Russian fairy tales.

In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, a stranger with piercing blue eyes presents a new father with a gift – a precious jewel on a delicate chain, intended for his young daughter. Uncertain of its meaning, the father hides the gift away and his daughter, Vasya, grows up a wild, wilful girl, to the chagrin of her family.

But when mysterious forces threaten the happiness of their village, Vasya discovers that armed only with the necklace, she may be the only one who can keep the darkness at bay.

Everyone respects the countryside; it gives us natural beauty, fresh air and a sense of peace. But if you go off the beaten track and take a wrong turning or the weather changes unexpectedly the exact same place can appear menacing, haunting and not happy at your intrusion. Tales of what lurks outside our towns and villages are universal and in this gorgeous story Elizabeth Arden gives a version of the stories that remind us of what lurks in the Russian wilderness. A kaleidoscope of nature, spirits and magical elements combined to give me a very satisfying lead.

I know very little Russian folklore, so this tale is unusually both familiar and strange to me.  Vasya is born to a beautiful and potentially magical mother who dies shortly after childbirth. Left to be reared by her father Pyotr who rules the local lands and village she becomes the family rebel.  Less interested in staying at home and instead loves to wander through the fields and forests outside the village where she can talk and play with the domovoi – spirits of hearths, forests and lakes. However, when her father takes on a new wife who also sees the spirits but in her eyes they’re devils; over the following years we will see Vasya torn between two worlds of humans and magic in a game between two powerful elemental forces of winter.

So, we have a fairy-tale but very similar to Naomi Novik’s Uprooted with a hugely expanded plot. Arden brings this world to life be it the quaint traditions of the countryside to the internal politics of the court of the Tsar Ivan into which Pyotr unwittingly receives a new wife. The natural spirit world is contradicted with the orthodox Christian faith and one cannot live alongside the other for much longer. Rather than in depth examination of life in Russia you’re painted in a series of episodes as Vasya grows up snapshots of key moments in her life. The joy of her finding she has such talents to the pain of an evil stepmother who will not accept Vasya is not tainted by the devil.

While Vasya is joy and wants to help her family she finds two key human opponents her stepmother who while she sees the same world can only see it as a threat to her sanity and soul. But most impressive is the complex relationship that develops between Vasya and Konstantin an ambitious priest the Tsar has decided would be better placed out in the countryside. Konstantin finds Vasya as she grows fascinating - a disturbing quasi friendship develops but with a darker subtext aided by a shadow that whispers how Konstantin is so close to the power he really seeks.  Which way will he ultimately turn?

The story is relaxed we spend it watching Vasya have a series of interlocking adventures and slowly see her role in what looks to be a more elemental battle that threatens the whole world. I found it a story I could really relax into and get to know the world.  I think if you were to look for a crisper narrative this isn’t the story for you but for me this gave a lot of depth and it’s very enchanting as the bigger picture gets revealed. Arden paints scenes of winter and summer with lots of little stories that it hums with magic.

A lovely read that offers adventures, magic and a picture of a world you don’t see very often.  If you enjoy folklore and how it fits with our world. While it gives an ending for this adventure there are future instalments to come. I think this is the start of a series I think many of you will love.

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The War In The Dark by Nick Setchfield

I’m grateful to the publisher for an advance copy of this book in exchange for a fair and honest review

Publisher – Titan Books

Published – Out Now

Price - £7.99

Europe.1963. And the true Cold War is fought on the borders of this world, at the edges of the light.

When the assassination of a traitor trading with the enemy goes terribly wrong. British Intelligence agent Christopher Winter must flee London. In a tense alliance with a lethal, mysterious woman named Karina Lazarova, he’s caught in a quest for hidden knowledge from centuries before, an occult secret written in the language of fire. A secret that will give supremacy to the nation that possesses it.

Racing against the Russians, the chase takes them from the demon-haunted Hungarian border to treasure-laden tunnels beneath Berlin, from an impossible house in Vienna to a bomb-blasted ruin in Bavaria where something unholy waits, born of the power of white fire and black glass…

It’s a world of treachery, blood and magic. A world at war in the dark

Spies in media very much like fantasy characters can come in all sorts. You can jump from the grand adventures of 007 to the insanity of Austin Powers. In contrast to the movies John Le Carre’s books pointed out that it’s less driving around in the flash car and more skulking in shadows and being part of a large government machine that was grubby, amoral and often merciless.  Nick Setchfield in his impressive debut asks the question what would happen if we added in magic and demons?

The story is set in 1963 when the world was only just getting used to seeing satellites launched into space; the US and the USSR were only just recovering from the being on the cusp of nuclear war and the Berlin Wall was a reminder of the power of the state. British assassin Christopher Winter’s “simple” mission to eliminate a communist spy goes out of control and leads to the spiralling deaths of colleagues and loved ones. He glimpses something inhuman within his target and starts to spot figures that can both appear to be those he knows and then someone completely different.  Fleeing Britain to track down those he believes responsible he finds that in the higher world of those in charge of espionage there is a lot more acceptance that ‘magecraft’ is not just real but very useful to the fighting for dominance of the planet.

It’s a fascinating world and Winter discovers some of the first English intelligence agencies were influenced by the ciphers of the mysterious Doctor John Dee who protected the Queen but also wanted to study demons and angels (which is true!). Setchfield really captures the sense of a 1960’s spy world – bureaucrats moving pieces from afar; clandestine meetings in shabby places and essentially a whole messy and often deadly battle being fought in alleys, dusty rooms and tunnels. It’s not that surprising that the darker, magical powers have taken an interest in the humans showing up in their own places. Winter who is a focused, practical and calculating man much more used to planning ways to kill and flee suddenly finds himself questioning himself and his role in these events as he pursues and himself chased by those who see a firm role for him in their games. It’s tense, everyone is hiding something, and all lives are expendable – making it feel a tense and claustrophobic read.

It’s skilful that the spy side can so quickly turn into something much more darker and fantastical. There are aspects of supernatural horror that are less big flashy scenes of spells and far more the subversive creeping horror. Is the corpse moving? What is the bannister made of? Its that feeling that something that isn’t quite right that strongly reminded me of the supernatural written by John Connolly and Mike Carey – the quiet and tense kind that I always find the scarier to read as we find the world just isn’t what we think it is.

My only niggle is that it could have done with a few more female characters. The stand-out is Karina who you never really know what she will do next but be assured it will be done with style and competence. The three women we do meet all have unique and different roles but at times it felt a little too much a re-enactment of thrillers written of the time by men and I’m not sure how accurate that was. Setchfield shows he can write great characters and Karina proves an even match for Winter and possibly the more accomplished spy too and none of the women are simply foils for the main lead, but I’d like to see much more.

It’s a very impressive debut novel and while it wraps the main plot up there is room for more episodes int his mysterious world of spies. If you’re looking for a great supernatural thriller that may even give you chills in this heat, then I’d strongly recommend this trip to the 60’s!

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Godblind by Anna Stephens

Publisher – Harper Voyager

Published – Out Now

Price – £8.99

 

There was time when the Red Gods ruled the land. The Dark Lady and her horde dealt in death and blood and fire.

That time has long since passed and the neighbouring kingdoms of Mireces and Rilpor hold an uneasy truce. The only blood spilled is confined to the bored where vigilantes known as Wolves protect their kin and territory at any cost.

But after the death of his life, King Rastoth is plagued by grief, leaving the kingdom of Rilpor vulnerable

Vulnerable to the blood-thirsty greed of the Warrior King Liris and the Mireces army waiting in the mountains

I like surprises in my reading. Like a good cover version, I want to hear something familiar but also new.  Simply swapping a few vocals around isn’t enough I want something that I just don’t see coming.  I mention this in passing because this was part of the Subjective Chaos awards that initially looked like a very traditional epic fantasy but instead combines great plotting, worldbuilding and characters in very surprising ways.

The story centres on three very different cultures. The Mireces appear your standard evil simple Mountain Kingdom performing human sacrifice often from those they enslave to their gods in particular the Dark Lady. Across them is Rilpor your standard medieval kingdom with a larger army and elderly King Rastoth his dutiful son Janis and his rebellious son Rivil and these two countries watch each other closely.  But with an unexpected event that reminds me of WW1 being triggered by the death of Arch Duke Ferdinand starts a cascade of events that lead to the cold war becoming a lot hotter and bloodier.  But rather than technology aiding the battles to come now we have the medical forces of the Red Gods and those of the Dancer.

Stephens puts us straight into the action by focusing on the viewpoints of multiple characters on all sides. It’s a real talent that everyone comes across as a real solid individual. The Priestess of the Red Gods Lanta is completely despicable, but we also see her internal battle to be respected by the male warriors and it’s a match of wits as she works to establish her position. Amongst the Rilporian we get to see a variety of characters, but standouts are Crys a new Captain in the King’s capital happier to play cards and have a laugh but also knows his fighting and how to lead. In contrast we have Tara the first woman to be a Captain working on the front-line border – diligent; more than capable and constantly having to justify her position against men often promoted more for their wealth than their ability. And in-between both are the Wolves who appear in some ways to be just simple village folk but who combine fierce hand to hand combats skills; spirituality and views on gender and sexuality that while shocking to Rilporians appear far more in keeping with our own age. The focus is on Dom a man cursed to receive the messages of the Gods who is being driven into the events to play his part even if he wishes to turn away and an escaped slave Rillirin feeling the Mireces untrusted by the villagers and hiding secrets that have huge ramifications for everyone.

Every character has their own secrets and we see how they interrelate. Not all can be trusted; their statuses will shift  and as things escalate we see that there is a wider game with the forces of Dark and Light moving their own pieces around and often appearing to care little for who will suffer from this.  That each character stands out and each plot thread is equally interesting adding variety from murder mystery to court politics to vast military battles you want to move across the land to see what is happening. I really was impressed how the story didn’t go for the obvious and often subverted the standard scenes I’ve come to sigh when I read fantasy. Attempted assaults on women; human sacrifices romances all don’t quite play out how you expect. I’m really pleased to see a world where men and women have agency; interact not just as potential romantic partners and respect each other’s role in their society.  When violence comes it is gruesome and you’ll feel the flesh tear (men will cross legs) and that can be a simple one on one fight to two armies simply trying wipe each other out. The story leaps from huge scale to the personal really well and by the end of the first novel you sense there is so much more to find out about his world…not least can anyone survive it!

I’m very glad to have picked this up now and will be looking forward to the sequel out in August. If you’re looking for some epic fantasy which don’t take the easy options and reward you with  adventure with a large dollop of action then this is a series I think you should be reading.

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Starfang II - Claw of the Clan by Joyce Chng

Publisher – Fox Spirit Books

Published - Out Now

Price - £7.99 paperback/ebook to follow

Kenn on avenging the death of her Pack-mate, Captain Francesca Ming Yue embarks ona hunt again to seek out her enemy, Yuen Leung, member of the Amber Eyes. Torn within from her own desires and failure, Franseca has to play a dangerous game with the reptilian Shishini. Can she trust them? With her clan at stake, the captain of the Starfang has to tread carefully or place the lives of her ship and crew in jeopardy.

I really enjoyed the first chapter of this series.  Humanity has reached the stars and contact with other civilisations at last but into the mix werewolves have also come out of the shadows and now control giant fleets as a Pack controlling certain worlds and businesses.  Ming Yue at the end of the first story was nearly wiped out by here enemy Yuen Leung – drugged, cut off from her crew and rescued at the cost of a friend’s life.  This next instalment looks at the consequences of those events in an engrossing tale.

The Ming Yue of the first book was supremely confident and professional above all other things. But the events of this book have taken a toll. Her arm is injured; her ability to transform is curtailed and we find her feeling lost but surrounded by her home. Her demanding parents urge her to chase her enemy down but can she do this again?

If the first novel was building the world the second is almost a character study as told through Ming Yue’s eye we see a woman balancing the demands and traditions of her Clan versus her own desires.  She as a Captain is supposed to be at a a distance emotionally from her crew and she finds herself attracted to her cousin April and drawn to her the young orphan Lien from an enemy clan. It creates a tension – is there perhaps a better way to live?  Is duty more important than being happy?

While I really enjoy the exploration of consequences and character we also get to see more of the mysterious Shishini.  Her Shishini torturer comes back offering a truce and through an artefact of the truce we see how her enemies took over their world.  But can they be trusted either? Its nice to see an alien perspective in an SF tale and their reaction to the werewolves is also unusual!  I really like Chng's way of telling stories organically rather than huge set-pieces I think it has a more natural flow.

I will just warn you that this is the middle part of the story and while there is plenty of progression there is a lot yet to be resolved and happily the third book is coming soon.  I shall definitely be reporting back nearer the time as to how the Pack’s final adventure ties this all up

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Edge-Lit 7

Last weekend I went for a return visit to Edge Lit in Derby. Now in its seventh year it’s a science fiction, horror and fantasy one day event that mixes panels with guest interviews and writer workshops. It’s a nice relaxed feeling and everyone I see at it seems to enjoy the atmosphere which in the sun debating books outside the bar is delightful. A much larger dealers room with ALL the books was of course visited and nice to see Fox Spirit Publishing in fine form.  Great to see horror and small press being promoted and for those who write the workshops seemed very popular. 

My schedule covered the following

Modern Ghosts: Is the Ghost Story A Nostalgic Act or More Relevant Than Ever?

This was a really interesting debate on how ghost stories fit within horror and within publishing in general.  It featured James Everington, Mark Latham, Marie O’Regan, Laura Purcell and Paul Tremblay talking about the history of the ghost story and what it now means.  In parts a review of the history of the ghost story; in Victorian times they were almost a comfort to know that death is not the end while today it’s more the ghost that you cannot explain despite our age of rationality that can scare you witless. There was also a discussion on how ghosts are almost the acceptable face of horror in current publishing a story more publishers are willing to accept as that appears to be a horror story the mainstream audience e is willing to try.  Certainly, it felt there would be many more hauntings to come.

Brave New Words – Live at Edge-Lit

One of my favourite SF book podcasts (and UK based) did a live recording with the authors RJ Barker, GX Todd and Jen Williams. Producer Al attempted to go through recent book news the rest of the panel…did not. Discussions moved from talking animals, bees fighting in the first world war and other very very sombre debates.  Keep an eye out for this on your podcast provider of choice!

The Rule of Three – What is the Appeal of the Trilogy and Will It Ever Fade?

Vic James, Rod Duncan, Mark Latham, Jen Williams and noted non-trilogy author Frances Hardinge discussed why are the shelves full of three-book tales. This moved from the historical angle that three and stories seems to go very well from number of acts to even its use in fairy tales and jokes. Epic fantasy writers see it as able to paint a huge canvas while other authors much prefer after a single story moving onto something completely different. An interesting discussion also took place on the publishing angle – it’s a way of building an author brand as the public know they’ll see books regularly but risks that if Book 1 is seen as flawed there are larger risks that the rest of the trilogy may crash or even not be published.   One thing I’ve noticed is that this is an event where writers are a little more likely to discuss the business side of writing which even from a non-writer perspective is often really fascinating.

There was then the Edge-Lit Raffle hosted by Anna Stephens and RJ Barker.  This entirely serious event saw lovely book prizes raffled aided by Stephens’ enticing description of tickets ‘herbaceous green’ and Barker demonstrating previously unknown psychic powers predicting the winner of each book…. uncanny-ish.

After that the Gemmell Awards were held and well-deserved awards went to Nicholas Eames (Best Fantasy Newcomer); Richard Anderson (Best Fantasy Cover Art) and Best Fantasy Novel went to Robin Hobb’s Assassin’s Fate. Long overdue for Robin Hobb to be recognised

Definitely seemed even more popular and I think worth a trip – also the main theatre has cinema seats which I think sets the benchmark for all future panels (ahem old womble now!).  Overall a brilliant day out in the summer sun and a great opportunity to relax in the sun so well worth your time!

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Blackout by Kit Mallory

Publisher - Lit Mallory

Price - £7.99 paperback £2.49 ebook

Published - Out Now

I would like to thank the author for a copy of this novel in exchange for a fair and honest review

After the Board came to power the world changed the way a hunter stalks its prey: all paranoia and unimagined flickers of shadow, so that while you were being torn to pieces you were still wondering whether you were overreacting. For 16-year-old Skyler, fear is a way of life. For three years, since the Wall split the UK in two, her survival as an illegal Northern refugee in the South has been a perilous balancing act between staying in the shadows and clinging to her reputation as the South’s best hacker.

Fellow refugee Mckenzie is a ghost from her past she would rather ignore. But when their paths collide unexpectedly, Skyler sees an opportunity to exact revenge on the brutal regime that destroyed her home and family – even if it means she goes down with them.

For some reason this week despots and dystopias have been on my mind. In an age where let’s face it we seem to have lost the plot on so many things why are novels looking at ever more dystopian versions of the future?  I used to think this was so SF could warn people about why we need to never go down this path.  Obviously not enough people read SF.  However, I now wonder if like Dragons the reasons dystopias exist in fiction is to perhaps remind us that they can be fought and beaten? In this near future thriller we focus on three young lives where the UK’s fall into a dictatorship creates horrors but ultimately makes people decide to say no more.

We initially focus on Mckenzie one of the best thieves in the recently split South of the UK working in the new capital of Birmingham. Mckenzie is from the North and here illegally trying to hide his Yorkshire accent.  He works for various gangs ‘obtaining’ items for a price.  Offered a chance to infiltrate the Board (the new UK Govt/Regime) he takes the merchandise but also helps himself to a hidden memory stick on a whim. Realising it has ultra-high encryption on it he goes for help from a fellow ex Northerner called Skyler who works for a mutual crime lord.  Unfortunately for both that memory stick holds state secrets that the they want back, and the duo find themselves being chased not just by the Enforcers but also the local crime boss Daniel (mild on the outside and totally vicious within).  On the run they end up with the assistance of the mysterious Angel who offers her services as a back-street medic, contract killer and vigilante and then there is a chase across the south of the UK to both unlock the secrets of the drive and decide how best to use them to take the Board down.

This I thought had a unique British dystopian feel and pleasingly focused less on the national and more on the local impact. Seeing life for normal people ranging from curfews; a secret police force that doesn’t want people to hide their faces with hoods even in the rain and electricity cut-offs at sundown all create an eerier off feeling for the UK. Through flashbacks told across the tale we see how Skyler and Mckenzie as kids saw the world change so that parents hush them from asking too many questions and where even a slip up at school can bring about the grey coated Enforcers who will want to take you away never to be seen again.  It’s caught that sense that the death of democracy is a slow boil as people try to focus on survival until escape is too late. The way the North of England is deemed a waste of resources and cut off to wither and die behind a huge Wall (as if anyone would want giant walls everywhere in real life…ahem) seems plausible and the impact it has on people a reminder that once the State says you are a not one of them you can quickly lose all rights and privileges.  The only bit I think I’d have liked to see is a bit more as what led to the change and who is in power.  There is a great sense of atmosphere but occasionally I wanted to know what exactly led to these final steps.

But the heart of the book for me is the trio of Skyler, Mckenzie and Angel. Skyler is fascinating she seems a very withdrawn beaten computer hacker.  Living in the basement of a gangster just to survive rather than with any sense of where she wants to go. Daniel has crushed her physically and mentally but seeing Mckenzie’s memory stick gives her a sense of curiosity she has missed and re-living the events that led her to the South makes her realise the Board is the one ultimately responsible. Mckenzie is the more amoral of the two focused on his own survival more than anything else often using his crimes and sense of adventure to give him a sense of worth and way to avoid his own painful memories.  This almost sibling like relationship is quite well put together; they bicker, they obviously care for one another each tries to persuade the other they are right. In contrast the one character who really does come across as a mystery is Angel she is careful not to give her past and secrets away. Ultra-competent able to fight the pair’s enemies and patch up their injuries she is initially more like a friendly bodyguard, but a highlight is the growing relationship with Skyler that develops.  From mutual respect to sharing confidences they have to work out how each feels about the other and whether can they trust each other with their ambitions for the future. A character that really gives the book an extra sense of energy and whom you want to find out more about.

It’s a very confident and smart tale that by focusing on a small group impacted by the regime allows time for the story to breathe and the reader to start to understand the world and invest in the characters. I’m really impressed with this novel and will be very keen to watch out for the next instalment and where the characters are heading towards next.

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Murder on the Titania and Other Steam Powered Adventures by Alex Acks

Publisher - Queen of Swords

Price - £3.62 Kindle £10.85 paperback

Published - Out Now

I thank the publisher for providing me with a review copy of this novel in exchange for a fair and honest review.

Captain Marta Ramos, the most notorious pirate in the Duchy of Denver, has her hands full between fascinating murder mysteries, the delectable and devious Delilah Nimowitz, Colonel Geoffrey Douglas (the Duke of Denver’s new head of security), a spot of airship engineering and her usual activities: piracy, banditry and burglary. Not to mention the horror of high society tea parties. In contrast Simms, her second in command, longs only for a quiet life, filled with tasty sausages and fewer explosions. Or does he?

 

Reader, I must make a confession last year I was telling people my least favourite sub-genre was steampunk – too obsessed with style over substance with a nasty bit of imperial colonialism thrown in for luck.  But over the course of this year I keep reading books like this one that shows me there is a better way to do steampunk that tackles my concerns head on.  This is an inventive, progressive, enticing and most of all fun volume of murder mysteries set in an alternate USA that I think may also help you see why I am now converting to the joy of airships.

In this book we have a series of five loosely linked short stories telling us the adventures of Captain Marta Ramos one of the most feared pirates in the loosely knitted Duchies of the North Americas. Feared in the skies, on rail or on land Captain Ramos is a shadowy figure that all security agents want to track down. Few realise the Captain is a woman (the very idea!!) so she can move around her targets and plan her next heist. But the Captain has a rather constant need for mental stimulation and if that is not a heist the next and possibly better thing is a puzzle or a murder. If you can imagine the talents of Irene Adler and the morality of Catwoman merged together you may start to get a feel for this unusual anti-hero. Fascinating, full of her own mysteries and you’re not too sure what she herself is up to she is a compelling character to read the adventures of.  In contrast we have in her second in command the more grounded Simms (when you see his real name you’ll understand why that’s all he goes by). Its not a will they won’t they relationship its two people with both processional respect and friendship in the mix that makes for a powerful double act as they try to work out the situations they’ve landed in.

In this volume there are five tales

Murder on the Titania – You may be disappointed to then find out that in this Captain Ramos is pretty  much a background character but it’s quite important to set the world of the Duchies up for the rest of the tales. We see a number of aristocrats on the airship Titania and meet the Duke of Denver’s new Head of Security.  He’s on the lookout for a cunning thief but soon finds himself in a murder mystery with a rising body count. It’s a refreshing look at a locked room..ahem..airship mystery with a number of suspects and clues thrown into the mix. I really liked the way the Captain made her eventual entrance but it also from the outset shows this set of stories doesn’t go for the obvious with modern sensibilities too.

The Curious Case of Miss Clementine Nimowitz (And Her Exceedingly Tiny Dog) – Captain Ramos is about to liberate a rich eccentric lady of her jewels but finds a killer appears to have got there first. This story follows the Captain investigating the deceased Miss Nimowitz’s two remaining relatives. It fleshes out why the Captain is unable to resist a puzzle and fleshes out her skills of science, physical combat and disguise.  A nice Holmesian mystery but with the added humour of a little dog that may have swallowed the riches which needs to be ermmmm released.  This is where Conan Doyle went wrong. Lots of fun and with the introduction of Delilah Nimowitz we get a character that intrigues and seems able to best our Captain.  How will it end well?

The Jade Tiger – This story is the shortest in the collection showing the Captain on a train heist up against a particularly greedy member of the elite.  While short it gives the reader some insight into the Captain’s history (while explaining very little).  A great bit of character exploration delivered very economically.

The Ugly Tin Orrery – In this tale our Captain shows us more of her crew that live in a mine.  A heist produces a puzzle in the form of an orrery and an owner who shortly dies after losing it to the Captain. Here the story moves into the political exploring the tensions between the duchies but also it allows the reader to see several connecting characters from the earlier tales come together.  It feels very organically how the tale has moved into higher stakes and there are consequences and risks that Ramos has to deal with.  It gives tantalising glimpses of the larger world outside the tales from the risk of the dead coming back to life to the various grabs for power that are standard for the aristocrats at the cost of the everyday folk left behind.

The Flying Turk – Simms and Ramos return to the Titania for a look at the modern wonder of a difference engine that can fly airships alone., But the inventor has made new enemies.  Is the ship safe from their actions?  A satisfactory conclusion paying tribute to the history of automaton and giving a intriguing puzzle for the reader to try to fit the facts together.  A fitting send-off for the final adventure in the volume.

In conclusion this is a very satisfying set of short stories showing that you can create nuanced looks at the land of steampunk and address social attitudes as well as giving us great characters, adventures and mysteries. One for fans of The Invisible Library series particularly. I’ve been meaning to read Alex Acks for a while and will certainly be reading more of their work.  So, if you want to meet Captain Ramos and start exploring her intriguing world this a series I think well worth your time to track down.

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Revenant Gun by Yoon Ha Lee

Publisher - Solaris

Price - £7.99 paperback

Published - Out Now

I would like to thank the publisher for an advance copy of this novel in exchange for a fair and honest review

When Shuos Jedao wakes up for the first time, several things go wrong. His few memories tell him that he’s a seventeen-year-old cadet – but his body belongs to a man decades older. Hexarch Nirai Kujen orders Jedao to reconquer the fractured hexarchate on his behalf even though Jedao has no memory of ever being a soldier, let alone a general. Surely a knack for video games doesn’t qualify you to take charge of an army? Soon Jedao learns the situation is even worse. The Kel soldiers under his command may be compelled to obey him, but they hate him thanks to a massacre he can’t remember committing. Kujen’s friendliness can’t hide the fact that he’s a tyrant. And what’s worse. Jedao and Kujen are being hunted by an enemy who knows more about Jedao and his crimes than he does himself..

Spoiler warning - I shall be mentioning some plot points from earlier novels

I’ve been a fan of Ha Lee’s Machineries of Empire novels for several years.  I think they’re a very apt SF series for the decade we are in; as on top of glorious space battles and technology they have also been an intriguing look at the concepts of tyranny and rebellion.  In this concluding volume we continue the strong tradition of both novels and also have a closer look at two of the more mysterious characters’ motivations.

Jedao has been a running theme through the series.  In the first instalment Ninefox Gambit we see him as a Hannibal Lector like centuries old ghost fitted into the consciousness of young Kel Charis where his tactical know-how and her sense of mission resulted in the unexpected start of a revolution guiding his host onwards for reasons that were yet to be fully explained. Following a botched assassination by the Hexarchate Cheris finds herself free of the Kel control but with the memories and tactical brilliance of Jedao which allows her to create a revolutionary act that splits the empire across and kills most of their leaders. This book asks the question what comes after a revolution and why do certain people want to become a dictator.

The reader will be surprised to find themselves in the mind of Jedao but not as we’ve seen him.  Neither centuries old brimming with bile or an impersonation but actually the young student who will one day become the notorious destroyer of squadrons.  He’s more relaxed and humorous than any version encountered to date but surprised to find himself in the body of a much older version of himself and about o command a squadron when he’s never been in a ship before.  Only the last remaining Hexarch Kujen appears to know what is going on and has fitted Jedao with an amazingly powerful ship that could destroy fleets and worlds. 

Across the gameboard on the other side is re mains of two factions the Compact; the main group that came out of Kel Charis’ rebellion that wants to promote democracy and against the Hexarch’s desire for Remembrances (where Heretics are tortured to death) and the Protectorate the last remnant of the Hexarchate wanting to try and preserve the old ways…to a point under the rule of a powerful general. Realising that Kujen is alive and is clever enough to take both sides down and fully restore the old order an uneasy truce us created and preparation for a final battle begins.

This really is the space opera the previous entries to the series have been building towards. The reader moves across planets and ships over the years since Cheris’ act of rebellion and watch how the varying sides vie for power. In keeping with the series so far; the technology that is used is rarely specifically defined but instead these ‘exotic technologies’ play with dimensions, minds and planets. Jedao’s ship has an immense doomsday weapon that can wreck either a fleet or a planet. But this time there is a larger focus than before on the AI that sits behind the power. The basis of the Moths (the various types of starships used by all parties) and servitors (the small robots who perform myriad tasks to keep the world going). There is a theme that they have reached their own level of consciousness from becoming addicted to soap operas to aiding Cheris in her rebellion. But how much longer can such a force be subservient to humanity?

For me the highlight of the series is that it isn’t primarily focused on the big battles (which again are when they arrive immense, tactical and portray the horror of battle) but how people react to power. Four primary characters are used to explore this; Brezan the de facto leader of the Compact didn’t seek power but his unique ability not to fall in line within Kel leaderships marks him as independent but now he has to start considering the consequences of his own decisions and the need for the ‘greater good’ may lead to casualties. Cheris from the first novel shows how far she has come to continue her determined battle to save her own people using all the ruthlessness and guile that Jedao’s memories taught her. A worrying thought that in all revolutions the heroic leaders may eventually harden their principles to save the world.

This is neatly mirrored in the scenes focusing on Jedao and Kujen. Kujen is explored through the people who have encountered him over the centuries and the question is asked how could a man who wanted to save the starving become the tactical monster who thrives on the Remembrances? Jedao here being the young man without the baggage of the having to learn to live and comply is given an opportunity to try and reconcile these two men he was aware of as well as his own growing horror of the monster he is accused of being of. That discussion on choices and that they can take you down paths that while may achieve your original objective but at the cost of your humanity I think has been a running theme in the series and this time the focus on the four and arguably the two antagonists within the tale asks some unsettling questions.  How can empires that feed all the poor, are socially liberal, highly advanced willingly fall into dictatorship?

There are few final answers, but this is a series I have been thinking about where it was going and what it had to say about our times for several years. Ha-Lee deserves to be recognised as creating some of the most interesting science fiction out there and I’m intrigued to read future stories and if this universe will ever be returned to.

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Subjective Chaos Awards (Finalists)

Helllllooooo!

Yeah sorry blog been a little quiet recently I was supposed to be typing this from my new home and instead I’ve had a delightful house sale fall through on me; a rather busy project to get up and running and the world’s worst train timetable change that is currently making my working days rather longer than usual.  As someone who needs to be able to relax to read this has been problematic!!  But bright side I’ve picked myself up; unboxed my books (so many boxes of books) and am in process of taking a little more time off so hopefully you’ll see a return to regular review schedule from this weekend!

 

I’ve missed you too dear readers

 

One thing I was able to do was take part in Subjective Chaos Awards where a group of bloggers got together to decide their favourite books in 2017.  Although sadly beaten by lack of time to finish in the series and blurred boundaries categories and we now after immense consideration and discussion over several months have decided on the final round of books

 

Fantasy

This was the strongest category by far and was the hardest choice for the judges to decide which two books would go through. One of the best parts of this was we saw a wide range of what fantasy can be defined as – it’s not just three volume epics with elves any more.  The final two for the next round though are

-          Metronome by Oliver Langmead

-          Under The Pendulum Sun by Jeannette Ng

 

Science Fiction

Again, each Judge had their own favourites in this one and again a range of what we define SF were identified.  The final two are

-          Places in the Darkness by Chris Brookmyre

-          An Unkindness of Ghosts by Rivers Solomon

Series

Credit to the reviewers who could finish all the books in time for the deadline!! This was the marathon.  But its also the hardest so we narrowed the final round to erm…four

-          Between Two Thorns by Emma Newman

-          Binti by Nnedi Okorafor

-          The Broken Earth by N K Jemisin

-          The Memoirs of Lady Trent by Marie Brennan

 

Novellas

 

Another strong selection that we all often disagreed on (very civilly!) but eventually we came down to

-          The Murders of Molly Southbourne by Tade Thompson

-          Passing Strange by Ellen Klages

Blurred Boundaries

A hard round for the judges as we often saw debates as to what the blurring actually there or not? As such we narrowed finalists down to

-          The Ninth Rain by Jen Williams

-          The Prey of Gods by Nicky Draydon

-          Winter Tide by Ruthanna Emrys

 

I loved the discussion as to how we all responded differently to stories and what we look for in a good read.  Its made me question what certain genres are defined as and given me some insight into what I look for in a book.  Reading Juries have my respect as you have so much to read in not much time at all!

Next we use July to debate further and aim to announce the winners while the jury tries to meet up at Nineworlds!

Still Life by Isobel Hart

Publisher - Livi Shaw Solutions

Price - £8.99 paperback

Published  - Out Now

I thank the publisher for an advance copy of this book in exchange for a fair and honest review

A woman must discover the meaning behind a new virus affecting men before there are too many infected for them to be stopped. When Samantha Davis and her boyfriend are involved in an accident, on the same day as a new virus is identified, his recovery appears to be a miracle. Until he turns on her. Determined to understand the changes in him, Sam joins with others to uncover more about the virus. But soon the knowledge they gather poses a threat. The infected men want to stop them and soon. Resolving to meet the threat head on, Sam prepares for the toughest fight of her life but finds herself caught between two worlds; still caring for the man she once loved, as her affections grow for another, while fearing for her life and the lives of all women. As the net closes in on her, she must decide whose life is more important.

Samantha David and her boyfriend are in an argument over his infidelity at a wedding when a car crash in a mysterious fog changes their lives.  Both injured Edwards appears to die but then comes back…actually a nicer and more affectionate man than before.  However, Samantha starts noticing his controlling behaviour and others at his hospital out patients support group appear to have their own plans in motion.  This sets up a global conspiracy theory with a huge element of romance.

The first half of the novel I think is quite interesting as I think Samantha initially comes across as very realistic character trying to work out what happened to the man she once loved and who appears even better than he was before. Several small mysteries are set up and as a group of men who all nearly dies that day appears to find each other and start working together there is a sense of tension towards something building up. Samantha finds Edwards have a darker agenda and are prepared to kill to preserve their secrets as he focuses on her getting married and having children. Added in the mix is a very charming hospital Doctor Elliot who Samantha confides in and has an obvious chemistry with.

Unfortunately, the second half of the novels falls apart as Samantha ends up captured and a previously engaging character seems to lose all agency and has to wait on others to save her be it Elliot out in the world trying to convince others of a revolution and Edwards who seems unusually attached to Samantha and willing to cross methods of the group to keep her to himself. The group in many ways appears a group of MRA activists but the themes get muddied in favour of the way Samantha becomes so desirable to the group. 

Overall a less than satisfying reading experience and I don’t think I will be willing to read any more as to where Samantha’s fight to save the world goes.

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Buying Time by E M Brown

Publisher - Solaris

Publsihed - Out Now

Price - £7.99 paperback

I would like to thank the publisher for an advance copy of this novel in exchange for a fair and honest review

 

In January 2017, something very strange happens to screenwriter Ed Richie. He wakes up one morning to find that he has been shunted back in time nine months and is now inhabiting the body of his younger self…Worse to come the following day he jumps three years, to 2013, with all his memories of the intervening years intact. What is happening to him? And where will his involuntary time-travel end?

Meanwhile, in 20130, journalist Ella Croft is investigating the life of screenwriter and celebrated novelist Ed Richie, who mysteriously vanished in 2025. She interviews friends, acquaintances, and old lovers – and what she discovers will change not only Ed Richie’s life, but her own…

 

We all have regrets and can recall the days we zigged rather than zagged – said x rather than y and our lives may be very different for good or for ill. In this novel we explore what would happen if you today could go back to certain days knowing what is to come.

Ed Richie is your standard mid-fifties hard-drinking self-loathing writer with a neat line in destroying his relationships (consecutively); after a particularly bad day he wakes up nine months earlier …but all memories intact. Can he change events?  Slowly Ed notices a pattern after a few days he can feel himself tugged further and further back. Why is this writer being sucked through time? What is the impact of his arrival in the timestream knowing what is to come?  Alongside this we see a dystopian future awaits the UK in 2030. The UK Conservative Govt fell into a dictatorship (as if ermmm) keen on censorship, arrests and violence. The increasingly right-wing US has started to outlaw homosexuality and people are fleeing to the newly independent Scotland. Into this journalist Ella Croft has decided its time to find out why Ed vanished.  She has a personal investment in this man she never really understood, and her enquiries bring out people very keen to find her for their own agendas.

There is a lot going on in this novel. The idea of a person falling into their own life is fascinating and how Ed reacts and slowly tests his powers of memory is well done.  It feels natural that you first doubt your sanity and then start to roll with it.  You may realise you’ve never been the hero you are and that certain stupid things you did have long-reaching consequences with friends and lovers. My only issue is that the focus is very much on Ed rather than the times we are now in. In contrast the future we see Ella in is a horrifyingly plausible future where isolationism and populism create nightmares for the UK and other democracies.  This a future where Trump, Brexit and economic collapses all make logical horrible steps to a more sinister country.  If Ed’s story is on the personal Ella’s storyis more on how did we get there.  It is quite an engrossing mystery as we see how these two are intertwined.

Annoyingly this also leads to the less satisfying part of the story. The focus on Ed is very much a stereotypical firebrand writer stuck in tv and radio. His drinking and constant chain of short-term relationships while is slowly explained often feels very flat. Often, we find his former flames all feel to have some fond feelings and there is a tendency to say he was flawed but not too bad and that doesn’t really come across in his behaviour and in fact just seems to pardon it. Ella’s story comes across as the more interesting as that nightmare world does feel a commentary on where we may be going however the ultimate way the two cross feels a little less than I expected to happen. Overall, I think this is a tale with some interesting ideas and a story and that makes it worth while but you may be shouting at the lead rather than encouraging him onwards

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Water Into Wine by Joyce Chng

Publisher  - Annorlunda Books

Published - Out Now

Price - £2.17 ebook

When war comes to your planet, everything changes…perhaps even the meaning of family and identity. Xin inherits a vineyard on a distant planet and moves there to build a life…but an interstellar war intervenes. Will Xin’s dreams of a new life get caught up in the crossfire? Xin’s understanding of a family and sense of self must evolve to cope with the changes brought by life on a new planet and a war that threatens everything.

Science fiction does love the battles – the wars in the stars (no trademarks are infringed!); the land battles, the starships exploding in the skies but we perhaps forget about those who just find themselves in the firing line. In this bittersweet novella from Joyce Chng we focus less on the armies and the tech but a reminder that there are human lives being devastated by both sides.

Xin’s grandfather decided they should own the vineyard he has on the remote planet Tertullian VI. She narrates the story of the family arriving and how over the months to then come a Secessioniest War in the Allied planets spreads through space and ultimately hits the planet too. The hardship of understanding farming and running business gets intermingled with a simple farm being pummelled by armies who are more focused on the prize than the people they wish to save/liberate. Xin discovers love, horror and how far she is prepared to go to protect her land and her family.

The story is told through Xin’s voice. Xin is not a natural farmer but finds the prospect of owning and running the farm a challenge, they can’t refuse. Their children and mother accompany them into working how exactly wine gets produced and, in some ways, this feels a very relaxed matter of fact narration but then we see explosions in the sky; acts of terrorism against refugees and a casual cruelty that both sides dish out if they feel you betray their values. Its that sense of dawning horror as we see children ant to be soldiers; livelihoods ruined, and people being tortured less for secrets and more than they just can. Chng has a subtle way of making you see the changes in the world but at a local life level. You invest yourself int this little household and hope they can survive what the two factions throw at them. By the end the pain of war and what this means is heartfelt.

Xin is a fascinating lead narrator – currently transitioning to be a man Xin is trying to focus on farm and family but an intriguing relationship with the stoic and sometimes secretive Galliano develops that is fraught with tension of many kinds. The world is vividly brought to life with scenes of food and religion and family customs. All painted to show you what is being lost by war. It’s a very haunting experience.

This a short tale but one I think would be good for readers to vie and remember that war is not always a special effect extravaganza and be it in Syria, Yugoslavia and Iraq will always mean local people who just really wanted to make a living may find themselves in a whirlwind that will change everyone.

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The Chalk Man by C J Tudor

Publisher - Penguin

Published - Out Now

Price - £12.99

None of us ever agreed on the exact beginning.

Was it when we started drawing the chalk figures or when they started to appear on their own?

Was it the terrible accident?

Or when they found the first body?

 

The greatest time in our lives as a description of childhood always puzzled me. Learning how the world and more importantly how people work was hard work and finding out as you grow up that the world is darker and scarier than you originally thought can be very unsettling. Childhood shapes us and often haunts us. In this fantastic thriller by C J Tudor we get a delicious mystery wrapped up with all the horrors of growing up and then growing old.

The story focuses on Ed a teacher at his local school who finds that a major event in his life from 1986 which affected his closest group of friends is now returning into his life. As a child Ed was thrown into a series of events over a year that blew apart his local gang and exposed the darker secrets of the village as well as making him realise adults cannot all be trusted as they too have secrets. This all starts with a violent bloody fairground accident that sets off this chain of events where Ed is thrown into an uneasy friendship with his local teacher Mr Halloran and the ensuing months will reveal more and more about life. Thirty years later and Ed is a man living with his past (often influenced by alcohol) and then one of his old friends returns with a plan to reveal what really happened that year and then all the old gang members find a letter with a chalk man drawn on them – someone seems to know a lot more about their past than anyone realised…

Its really hard to describe this book because one of the greatest satisfactions is watching the past and the present get revealed. We unusually get two real-time narrators who happen to be the same character Ed in 1986 -  a pleasant shy but intelligent kid finding the world out as a teenager and Ed in his mid-forties where his life has become frozen and now by the appearance of the chalk men unsettled. With alternating chapters, we see the impact of the past on the present and scene by scene you get a better picture of the place they all live. Small mysteries such as how did a friend end up in a wheelchair to the largest of them all  - who murdered a local teenager that Ed’s gang found when the chalk men pointed the way? Kids start to experience death, violence and lies all for the first time and it’s an unsettling experience is anyone the person you think they are?  Can we even trust the kids?

It brilliantly plotted and there is enormous satisfaction as you see the bigger picture and realise how all these little revelations make up the bigger mystery, but Tudor also brings two other stand out elements. Characterisation is a major element. The childhood version of the gang really does feel like 80’s kids with Ed, Fat Gav (the loud one); Hoppo (the kind one with his dog); Mickey (the one who no one really knows why you’re his friend) and Nicky (the local Vicar’s daughter who much prefers hanging out in a gang to church). It really captures that sense of childhood friendship and exploring long summer days which makes the later changes to the group both startling and intriguing - whey made them become the people we now see? What are they all running from? Added to this we have the mysterious Mr Halloran the new teacher no one really knows and even Ed’s parents get revealed to have secrets they are keen Ed doesn’t yet understand. There is a whole host of local rivalries and relationships to unpick and the way that is created is fascinating.

My other highlight is the sense of horror. Although this is a murder mystery there is a feeling of something spectral happening. The eerie sight of chalk men; figures in the woods and in dreams who know a lot more than anyone should bring a sense of the uncanny to the village. Scenes of death and violence are much more elaborate than you would find in a Poirot all leading to a feeling that perhaps much more to the way these secrets are being unburied than simply bad timing.

That combination of mystery, horror and the cast that you may not all like, but you really want to understand made this a reading experience where I found myself swept up so much that when I started this on my Bank holiday Monday I didn’t go to sleep until it was done!! I strongly recommend that if you enjoy crime with a touch of the horror about it then you really should give this a go and I look forward to seeing what this author gives us in the future.

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The Testament of Loki by Joanne M Harris

Publisher - Gollancz

Published - Out Now

Price - £14.99 hardback

Ragnarok was the End of Worlds…. Asgard fell, centuries ago, and the old gods have been defeated. Some are dead while others have been consigned to eternal torment in the netherworld – among them, the legendary trickster, Loki. A god who betrayed every side and still lost everything, who has lain forgotten as time passed, and the world of humans moved on to new beliefs, new idols and new deities…

But now mankind dreams of the Norse gods once again, the river Dream is but a snow’s throw from their dark prison, and Loki is the first to escape into a new reality.

The first, but not the only one to. Other, darker things have escaped with him, who seek to destroy everything that he covets. If he is to reclaim what has been lost. Loki will need allies, a plan and plenty of tricks…

A few years ago, Joanne M Harris did a superb retelling of the major Norse myths with a twist – they were all told from Loki’s side of the story.  The views of the Trickster gave some humanity and humour as well as making you see Thor as well…rather thick. However, at the end the End happened, and Loki ended up tormented by a huge poisonous snake that happens to be his child for eternal torment so now it asks the question – what happens next? The answer is complex but ultimately boils down to a story placing the Gods into the modern world that is as fabulous as Loki themselves.

We resume the story in a dungeon of Chaos where Loki has started to notice the inner space known as Dream that links to other worlds. Being naturally cunning a plan develops over centuries and with a hint that out there is a world that still remembers the Norse gods he arrives in 2018 England. Initially in a computer game (wearing strange headwear) known as Asgard!! ™ but swiftly escapes into Jumps a 17-year-old student getting ready for her exams. Loki suddenly finds the world alluring and he has a lot to get catching up on.

This story reminds me a lot of Loki itself as it’s got many sides to it. Loki inside the body of a teenage girl allows for plenty of humour as our favourite god discovers Pizza, The Book of Face and is horrified that many find Thor the best God. The one person you don’t want in charge of your body on exam day is Loki but equally just as this appears to be a fish out of water story you’ll notice Jumps has secrets – incredibly reserved and doing everything she can to fade into the background. It touches upon serious issues such as body image and relationships that allows a contrast with the hedonist god and watching how these two personalities fight and ultimately understand each other is the both the entertaining and emotional core of the book -neither will be quite the same afterwards. Its interesting that Norse gods used to sexuality and disabilities seem the least impacted by those things many in the modern world are swiftest to criticise.

The story also moves into epic fantasy as Loki uncovers more Gods hiding in the modern world. Obviously after enabling Ragnarok he is not flavour of the month, but it is recognised the half demon half god has certain advantages in planning that means he is forced to investigate where the ancient powers known as the Runes are and this means Loki and by necessity Jumps are exposed to what is going on underneath the ‘real’ world. This points to a much larger story that Loki will become a key part in enabling.

Harris continues to narrate the tale in Loki’s voice and that is just as delicious as in the previous entry in the series. Loki is sarcastic, boastful and on rare occasions honest about how he is feeling. As the reader you must work our though when the truth may be getting told and he can sometimes indeed be the unreliable narrator (what did you expect!). This time we see the impact though of Ragnarok has had an impact on him as he has lost his body and his power which puts him in a place where he is able to learn and even empathise with Jumps who also seems to be the outsider in her group.  Watching his character twist and turn is an absolute delight.

Another highlight is how Harris adapts the settings moving from the strange psychic dungeons of Chaos where pain is lashed out daily; to the quiet streets of London where she easily portrays the awkwardness of having dinner with your family when you’re the teenager they want to control or the schoolyard where the popular kids want to make you feel a thousand times smaller than you are. Bouncing from the fantastical to the domestic is performed really smoothly and there is also a reminder that in the Norse gods feuding, arguments and hunts for status were a key aspect of the tales and perhaps it’s the God’s humanity that means they’ve stayed around in our culture for much longer than you would expect.

Overall the story itself makes a fitting new chapter in the adventures of our exiled Asgardians as there is a battle for power between opposing forces based around desire and lust for power. Captivating and going to bring both a smile to your face as well as make you remember what it was like to be young again I think this is a book you need to read…ideally with pizza.

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Slay by Kim Curran

Publisher - Usborne Publishing

Published - Out Now

Price - £6.99  paperback

Meet SLAY – they do two things and they do them well: they play killer music and they slay killer demons. When Milly, the lonely daughter of a world-famous opera singer, arrives home to discover that her mum has been taken over by something very evil, she finds herself in mortal danger. But the last people she expects to rescue her are the hottest boy band on the planet…

 

Kim Curran has a strong track record in YA from her parallel worlds Shifter series to her novel Glaze which a few years ago suggested there would be a social media application used for bad things (I know!!!!), so I was definitely intrigued what this new series would do and as I understood Buffy would be an influence I was ready to dive in. I was not disappointed and its an incredibly entertaining ride for fans of the slayer and also Supernatural.

Slay are the biggest band touring random cities and comprising the moody lead singer JD, the charismatic Tom on piano, the cheeky Connor on drums and on guitars the sarcastic Zeq and the silent Niv who communicates through sign language. Managed by a former girl band member they are now hugely popular and globally recognised. So far very One direction but after a show the team are less likely to hit a nightclub but instead suit up for battling demons trying to take over the world! A chance distress call from a young British student called Molly means the band and her cross paths where they find themselves too late to save Molly’s mother from being transformed into an ancient evil, but they do realise they may have happened upon a demonic masterplan to release a power that really would destroy the world. Molly and the band now must cross northern and southern America to uncover the truth and put everything on the line.

The Buffy parallel really makes sense in that the concept can sound wacky but in Kim Curran’s hands the story really comes to life. The action is relentless and it’s extremely well plotted as we uncover the reasons the demons have decided to make the move. Set piece after set piece keep the momentum going as we see the demon responsible for Molly’s mother transforming into a monster that has been aware of the group for some time. The world building is well told and its done more as characters talk about their personal experiences of the supernatural rather than simple exposition overload. The demons take over hosts (willingly or unwillingly) only recognisable by their black eyes. But the band have learnt to use weapons and technology to track them down.

The band Slay themselves really do come across as an immensely likeable diverse bunch of young teens. The sense of humour and way they both annoy and look after one another really rings true. Two main characters are JD and TOM. The former outside of singing is the taciturn brooding young man who has a personal reason to focus on the demon-hunting while in contrast Tom is the lighter soul who enjoys performing and can really capture a crowd. This forms an interesting relationship triangle with the arrival on the tour bus of Molly the intelligent researcher who is more than able to use her wits to find a way out of a situation. The villains being possessed also can channel human traits and indeed there are elements of snark which for this kind of book are compulsory.

I found this a very enjoyable read that avoids all the pitfalls of the concept and instead makes you swiftly read along hoping your favourite characters survive or get together. It is important to note that the story when required can go sombre as characters face death and violence and that balance of light and dark helps makes it stand out. It looks like the band are also due some more adventures later this year and I am more than ready to listen to their second album!

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